PR 101

When I first met my doctor almost 30 years, I walked into his office, sat down and asked him: “so, what was your grade in anatomy?” He laughed. I asked the question again. He saw I was serious. He pointed to his medical school diploma that was hanging on the wall behind me. It said he had graduated summa cum laude. I was satisfied.

Why did I ask? Because as the joke goes: do you know what they call the medical student who barely passes? Doctor.

You should be asking the same kind of questions when you decide to hire a social media agency. Too many times, I see people and agencies pass them selves off as social media experts when in reality, all they have done is signed up for Facebook and have a Twitter account. When you ask if they use social bookmarking, or how they measure ROI, their eyes go blank. Or, they give you some gibberish about how ROI is difficult to measure.

The agency you want to hire should have a solid grounding in both traditional marketing and public relations and social media. They understand how to use both, how to meld them and how to measure results.

Social media as a method of public relations and marketing matured about four years. That’s when broadband became widespread. Broadband is necessary to run most social media platforms.

Because it is so new, there are not yet any solid standards for determining who’s an expert and who’s a pretender. I have studying and using social media for about three years. I started doing podcast scripts and moved on from there. I have been doing it long enough that I know what I am talking about.

What distinguishes one agency from another is how long they have been using social media, their level of commitment to it, and how successful they have been.

So, if I were looking to hire a social media expert, here would be the questions I would ask:

• How much experience with social media have you and your agency had?

You want to know if they attended a couple of webinars, maybe have a Facebook page and Tweet and now think they are an expert. That does not make them an expert, not by a long shot. Ask to see their blogs, Twitter accounts, LinkedIn usage, Facebook pages, and YouTube posts. This shows they are experienced users. Ask if they use Digg, Stumbleon and other social bookmarking sites.

• Where did they learn social media?

This shows their level of commitment. And also ask how they stay on top of the changing trends in social media. That’s important.

• Ask for the names of clients for which they have run successful campaigns. You want to be able to check on what they did and if it worked.

• How do they view social media – as a tactic, a strategy, or an entire new way of marketing?

The answer is the last one. Social media is not a one-off. It requires a commitment of time and resources. I would argue that it is more effective than traditional marketing, but it takes knowledge to do it right.

• How do they integrate traditional marketing and public relations efforts with social media?

Traditional methods definitely still have a place. Often there is a melding of the old and the new. Many journalists now use Twitter for instance. You need to make sure that traditional methods are not neglected.

• Who handles social media in their agency?

You want to know the senior people are committed to social media. You don’t want to find yourself working with some junior assistant account executive that got the assignment because he or she has a Facebook page.

• How do they measure Return On Investment (ROI) for social media?

There is no one method to do it. Personally, I believe it can best be measured by increased website traffic and sales, but there are other ways. Make sure the agency has a method for measuring ROI.

Those questions you should get started. Next week, I am going tell you about to set up a social media campaign.

And as for Wednesday’s rant: well, I am going to give you my take on NBC’s decision to interrupt the Olympic closing ceremonies.

Print publications are still a viable way to spread the news, a trio of business editors said last week. Print is still a vital to tell people what’s going, the three argued in a panel discussion held before the Southeastern Wisconsin chapter of the Public Relations Society of America.

“We are bullish on print,” Mark Sabljak, publisher of the Business Journal of Milwaukee. “Some people still enjoy a print product.”

All three seemed to be cautiously embracing electronic media. Salbjak seemed to be holding out the most. For instance, he noted he said in 2009 there would no blogging at the Business Journal until the paper found a way to make a profit on such an effort. The paper’s is now blogging because it has found a way to monetize the effort.

However, social media is changing the way news is being covered, said Steve Jagler, executive editor of Biztimes Milwaukee. Sites such as Twitter are not competition, he explained. Rather, it is helping the paper extend its brand, Jagler said. Social media amplifies the paper’s ability to report the news.

“We have a staff that understands the possibilities of social media,” Jagler said.

Social media has turned newspaper in 24-7 operations, said Chuck Melvin, assistant managing editor/business for the Milwaukee Journal Sentinel. The paper now has new ways to deliver the news. The paper is not longer just print-based. It now uses Twitter and other services to disseminate its stories.

“We are not just print-based anymore,” Melvin said. “Social media is a new way of delivering the news.”

Social media has actually improved the Journal Sentinel’s ability to cover news. By using blogs, the paper can pay more attention to niche markets. He cited reporter Tom Daykin’s real estate blog and art critic Mary Louise Schumacher’s blog on the Milwaukee art scene as two examples.

“I see a lot of growth in our blogs,” Melvin said. “We are also working to add more video to our website. It adds a lot of value to the reader experience.”

All three editors said the key to a successful story pitch is keeping it simple, providing relevant information and making sure the proper journalist is targeted. It is important the person making the pitch is talking to the right reporter. That means knowing what people cover and what their interests are.

“Make sure you know the media company’s mission,” Jagler said.

All three also said it is still okay to over an exclusive story to one publication.

“It is the same situation as it has always been,” Sabljak said. “It is more challenging to get one in these days of 24/7 news coverage. But, my reporters are paid to get exclusive stories.”

The increasing dominance of technology has made the role of the public relations practitioner more important, Melvin said. A good P.R. person can play a vital role in telling reporters what’s going on. I would add that because there is so much information being circulated that no one person could ever keep track of it. A good, targeted pitch probably has a better chance than ever of getting a reporter’s attention.

While acknowledging that the need to get the news out faster than ever can be strain, all three also said that hasn’t made their staff’s lose perspective.

“We have not lost the ability to do the in-depth story,” Melvin said.

This is the headline from the Dec. 11, 2009 crainsnewyork.com online business magazine: “367 magazines shuttered in 2009.”

The article goes on to report that: “As bad as the news is, the pace of decline appears to have slowed. In 2008, a total of 526 U.S. magazines ceased publication. In 2007, there were 573 that shut down.

The number of titles that folded may actually be higher, said Trish Hagood, president of Oxbridge Communications, parent company of MediaFinder, which describes itself as the largest online database of U.S. and Canadian publications. She explains that it will take until well into the new year to do a final tabulation.”

A knowledge gap is being created

I decided to write this blog because of last week’s announcement that two venerable magazines were shutting down: Editor & Publisher and Kirkus Reviews are being shuttered.

I know neither of these of magazines would be the kind likely to be sold at the grocery store checkout (except maybe for grocery stores in Cambridge, Mass, the lower East Side of New York and Berkley, Calif.). But, they served important purposes in their niches.

The century-old Editor & Publisher covered the newspaper industry. When I started as a reporter in 1975, it was a must read. If you wanted to know what going on in the business, you read E & P. I got my first two reporting jobs from classified ads in the magazine. It was a magazine in which readers’ actually read the ads first, especially the classified job listings.

Kirkus Reviews published over 5,000 book reviews annually. It was an important outlet, especially for new authors. It was often the first public exposure a first novel received. Kirkus was an important resource for bookstore buyers. They would often choose a novel to offer to their customers based on something they read in the magazine.

Personal note: As one who is writing a novel, and hoping to get it published, I mourn the loss of Kirkus. I also mourn the loss of E & P. It was an important press watchdog.

The closing of those two, and other magazines, is creating a knowledge gap.

Magazines used to occupy a unique place in news and information publishing. Newspapers were looked to as a daily source of information. That role has largely been taken over by Web-based news sources, including Twitter. Magazines were the source of the longer, more in-depth pieces. Magazines had the space and time to really tackle a subject. But, they were more immediate than a book.

With the death of so many magazines, a valuable source of explanation and analysis is going away. Oddly, to me at least, many newspapers are trying to turn themselves into daily magazines. They write long investigative stories that often run for several pages. That’s not why people read newspapers. They want to know what’s going on in the neighborhood. People don’t have time to ready long stories in the morning – when newspapers are delivered.

There is a solution

Yeah, you guessed it – I think magazines should be moving on line completely. I know Editor & Publisher has been on-line since the ‘90s. Kirkus is also online.  However, I don’t think either did a very good job of bringing readers to their websites. Like a lot of other publications, I think they saw the websites as an auxiliary to their print editions. It should have been the other way around.

There is precedent for this – the move of soap operas from radio to television in the early 1950s.

A little history first. In 1946, there were approximately 10,000 television sets in the United States, according to questia.com. By 1950, there were 3 million and by 1953, half of all households in the United States had a television. Kind of sounds like the growth of social media, doesn’t it?

Proctor & Gamble started soap operas on radio during the Depression. It was a marketing decision to sell more laundry soap and other products. When television began to dominate, P & G moved the soaps to television. After all, you go where the customers are – which is a rule of social media by the way.

So, why can’t magazines do the same thing? The web is becoming the dominant media – so why not move to the customers are? More and more people are doing their reading online. I still get Sports Illustrated’s print edition, but I also read it online every day. SI and other publications can do more on the web – post videos, run a lot more pictures, link to other relevant sites and be a lot more immediate in their analysis.

I think that move would save a lot of magazines. In cost alone, it would be a good move. No longer would a publisher have to factor the cost of production and printing.

Seems logical to me. Any thoughts anyone?

Note: I will not be posting on either next Monday or Wednesday. It is a holiday week and I am taking some time off. The next blog will run Jan. 4, 2010.